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pinhole camera for trade (seriously)

July 17, 2008 – 1:30 am

Remember the pinhole camera from video episode 8? Of all the many videos and posts here on prophotolife, “how to build a 35mm pinhole camera” provides one of the steadiest streams of search traffic. In the past couple months I’ve moved the camera from desk to desk, taken it home and brought it back to the studio and forgotten it in my truck for at least a week or so.

Well, it’s time the pinhole camera found a real home. At first I thought it might be funny to put it on eBay, just to see if the $10 spent on parts could be recovered. Then I was inspired by the One Red Paperclip guy. Ever heard of him? He started with one red paperclip and traded it away for something better, eventually trading his way up to a house, fourteen trades later.

That could be fun, I thought. How about trading away the pinhole camera for something else photographic, seeing what could eventually be worked up to? Where would it end: a disposable camera, a Kodak Brownie, a Digital SLR? Would I even get one offer? You never know until you try.

pinhole camera

So does anyone have something photo related they‘d like to trade for a like new, handmade pinhole camera, the star of video episode 8? No limitations, all offers (if any are made) will be entertained. It even comes complete with custom tripod mount (that would be the rubber bands in the photo)…

- Jim T.

business of photography: developing your own photographic style

July 16, 2008 – 1:30 am

Aspiring professional and enthusiast photographers work hard to find their own particular style, a visual look that sets them apart from the crowd. Your style is like your own personal signature and it may revolve around the use of a particular lens, color palette, camera or post-production technique. Or it may be the way you communicate with your subject and the responses you elicit and capture. It may be a combination of many of these things.

1025_kitchen_2179Do you have a style? If you’ve ever found yourself frustrated, unable to find your own style (or voice) with photography, maybe these suggestions will be a help. After twenty-five years in professional photography I can identify a few things that have helped me get over creative humps:

1. I mentioned the word “process”. Many photographers wait for a bolt of lighting to come along, inspiring them to see the world in a completely new way. Well, it’s never happened like that for me, I’ve had to work at it, taking many little steps along the way. The photos that accompany this article were a simple experiment in soft focus one day. I grabbed a plastic sandwich bag and held it over the lens, really liking the foggy diffusion it created.

2. Working a process means trying new things and, this is very important, not fearing failure. Don’t expect things to go right every time. Remember the invention of Post-It Notes? It was a huge mistake, an adhesive that failed to stick very well. Or so it was initally thought. That failure has gone on to be a huge success. Don’t be critical when something doesn’t turn out the way you want, just try to improve upon it next time.

3. I would never knowingly copy someone else’s work and present it as my own. But for the sake of experimentation, emulating images you really like can provide great lessons. Do you see an HDR technique you really like? Try it. Is there a low key portrait you really like? Try it. These are just experiments, part of the process.

4. Everything doesn’t have to be a final, finished photograph during this process. Shoot fragments and pieces of things that interest you. One of those fragments might be a key building block to a further style.

1025_kitchen_21995. This is an important one…ever hear the phrase “out of sight, out of mind’? Don’t waste your hard efforts and seeming failures by tucking them away and forgetting them. I like to keep my experimental images in a catalog where I can scan through everything when I’m looking for ideas. I may have shot something 6 months ago that was forgotten because it didn’t succeed on it’s own. But if I see it in the same catalog with something shot yesterday it might just “connect the dots” on what I’ve been after. I’ve yet to use the “sandwich bag soft focus” technique on a commercial job but the knowledge gained is always there with me.

6. And, if you haven’t figured it out, this all means shooting lots of photographs. Yep, that’s always been the biggest help to me: shoot, shoot, shoot. It’s important to look for inspiration and it’s important to buy new equipment. But if you want to develop a new style the most important thing is picking up a camera and clicking the shutter.

The Farm Security Administration - a photographic US national treasure

July 15, 2008 – 2:00 am

rothstein dust bowl

If you live in the United States you are partial owner to some of the most important photographs in U.S. history. The Farm Security Administration - Office of War Information (FSA-OWI) funded a national documentary photo project during the Great Depression years (1935 - 1945). Now-legendary photographers like Walker Evans, Ben Shahn, Jack Delano, Dorothea Lange, Carl Mydans, Gordon Parks, John Vachon and Marion Post Walcott (among others) were hired by the U.S. government to document the country during this trying time. With the nation sorely in need of economic stimulus, the government set about creating jobs, including putting photographers to work. The young photographers travelled the country, living in their cars, capturing this pivotal time with their 4″x5″, 2 1/4″ and 35mm cameras.


As a government funded project these images are in the public domain, free of copyright. They are housed at the Library of Congress archives prints and photographs collection in Washington, DC, and are available as digital downloads online. Prints may also be ordered from the LOC for a nominal fee, giving us all the opportunity to own a piece of history. I’ve had the personal pleasure of combing through the archives in DC as part of a photo exhibit I helped curate some years ago. Flipping through the file drawers of images, watching the past unfold through the vision of so many talented photographers was (and remains) truly inspirational. I need to go back, just so I can hold those silver prints in my hands once again.

There are many exciting things happening in photography right now but we’re nothing without our history. These photographers braved many hardships to explore a nation that had never been explored in such an all-encompassing way and all photographers benefit from this collection, whether in the US or not. With prophotolife readers around the globe, are there any other such collections anyone is aware of? Government or newspaper archives that tell an especially poignant time in a nation’s photographic history?

I hope you get a chance to check out the Library of Congress website. In addition to the many photographic and illustration archives, there are also important recorded audio histories there. It’s a treasure trove of information…and it belongs to us all.


video: episode 21, small product problem solving in the studio

July 14, 2008 – 12:15 am

What do all successful photographers have in common? They’re problem solvers. When faced with a challenge they conjure up solutions, using experience and creative thought as a guide. Whether it’s a photojournalist seeking access to a story, a portrait photographer with a difficult client or a commercial shooter with a troublesome product, they all face challenges head on and deliver the goods.

Back in the hills we used to say “there’s more than one way to skin a cat”. That just means there’s more than one solution to a challenge. Today’s video uses a simple setup to illustrate one situation with three possible solutions. Yes, sometimes there are alternatives to “just fixing it in Photoshop”. :)

Speaking of problem solving, today’s video is being served up by a new host: Vimeo. Let me know what you think. The video is larger and of higher quality so I’m very pleased. There have been increasing difficulties with YouTube so I hope this works out to be a better solution.

A gallery of still images from this video may be viewed here.

Subscribers view video here:

Don’t have a polarizer? For a great selection Shop Calumet Photographic - It’s Where the Pros Go. And a reminder for anyone considering studio strobe lighting: Calumet is running their super special $169.99 pricing on the Genesis 200 1-Light Kit at least through the end of this month (July). The Genesis 200 2-Light Kit is currently just $339.99 (you also get free shipping with any Calumet order over $75). I can honestly say it’s a great deal, I’ve been very happy with mine.

Having YouTube problems (this video is no longer available)?

July 13, 2008 – 2:33 pm

I’ve been receiving emails this weekend letting me know that some prophotolife videos are coming up on YouTube as “no longer available” for certain viewers. I haven’t pulled anything down. Anyone else having problems? A quick search revealed this post of potential fixes:

http://digg.com/tech_news/Fixing_the_video_is_no_longer_available_YouTube_glitch

I’m not sure what’s up, let me know if you have any insight.

Thanks,

Jim T.

youtube screen capture

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